VB·10: Difference between revisions

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{{inscription
{{inscription
|reading=eui
|reading=eu
|reading_lepontic=unknown
|reading_lepontic={{c|E|E9|d}}{{c|U||d}}
|reading_variant={{w|ea}}, {{w|eu}}
|direction=dextroverse
|direction=unknown
|letter_height_min=0
|letter_height_min=0
|letter_number_min=2
|letter_number_min=2
Line 10: Line 9:
|line_number=1
|line_number=1
|corpus=Cisalpine Celtic
|corpus=Cisalpine Celtic
|script=unknown
|script=North Italic script
|script_certainty=prob.
|alphabet=Lepontic alphabet
|object=VB·10 Ornavasso
|object=VB·10 Ornavasso
|position=bottom, outside
|position=bottom, outside
Line 22: Line 23:
|solinas=137
|solinas=137
|morandi=55
|morandi=55
|source_detail=Morandi 2004: 556 f. no. 55
|source_detail=Morandi 2004: 556 no. 55
|checklevel=3
|checklevel=2
|problem=Buchstabenvarianten, Orientierung, Whatmough stiftet schon wieder Verwirrung
|problem=eui weg? literature
}}
}}
==Commentary==
==Commentary==
First published in '''{{bib|Bianchetti 1895}}: 188'''.
First published in {{bib|Bianchetti 1895}}: 68 (no. 8), 188.


{{bib|Kretschmer 1905}}: 98, no. 8 ''eu'' as in [[VB·9]] (presumably as per Bianchetti), {{bib|Rhŷs 1913}}: 60, no. 8 (conflated with [[VB·9]]), Whatmough {{bib|PID}} 116 f., no. 312 bis ''ea'' (as read by him, but surely the same thing?), thus also {{bib|Tibiletti Bruno 1978}}: 144, {{bib|Solinas 1995}}: 378, no. 137 both options.
Image in {{bib|Piana Agostinetti 1972}}: tav. XXXI.2 (drawing).


See also '''{{bib|Piana Agostinetti 1972}}: 271, tav. XXXI.2''', '''{{bib|Piana Agostinetti 1997–1999}} II: 94, n. 1060, III: 246 f., n. 1060, in IV {{bib|Morandi 1999b}}: 319, no. 10'''.
Inscribed on the outside bottom near the foot according to {{bib|Morandi 2004}}. The drawing by Piana Agostinetti shows an additional oblique line close to the second hasta of upsilon, which was disregarded by Bianchetti ({{w||eu}} as in [[VB·9]], thus also {{bib|Kretschmer 1905}}: 98, no. 8, {{bib|Rhŷs 1913}}: 60, no. 8, and {{bib|Piana Agostinetti 1972}}: 271, no. 2). Whatmough {{bib|PID}} 116 f., no. 312 bis read ''ea'' (also {{bib|Tibiletti Bruno 1978}}: 144; {{bib|Solinas 1995}}: 378, no. 137 gives both options); {{bib|Morandi 2004}} identifies the line as iota ({{w||eui}}). The letter forms being identical to those in [[VB·9]], we are inclined to assume that the line is merely a repeated scratch.
 
See also '''{{bib|Morandi 1999b}}: 319, no. 10'''.
<p style="text-align:right;>[[User:Corinna Salomon|Corinna Salomon]]</p>
{{bibliography}}
{{bibliography}}

Latest revision as of 19:53, 2 August 2024

Inscription
Reading in transliteration: eu
Reading in original script: E9 dU d

Object: VB·10 Ornavasso (bowl)
Position: bottom, outside
Direction of writing: dextroverse
Script: prob. North Italic script (Lepontic alphabet)
Number of letters: 2–3
Number of words: 1
Number of lines: 1
Workmanship: scratched after firing
Condition: unknown

Archaeological culture: unknown [from object]
Date of inscription: late 2nd c. BC [from object]

Type: unknown
Language: perhaps Celtic
Meaning: abbreviation (?)

Alternative sigla: Whatmough 1933 (PID): 312 bis
Solinas 1995: 137
Morandi 2004: 55

Sources: Morandi 2004: 556 no. 55

Commentary

First published in Bianchetti 1895: 68 (no. 8), 188.

Image in Piana Agostinetti 1972: tav. XXXI.2 (drawing).

Inscribed on the outside bottom near the foot according to Morandi 2004. The drawing by Piana Agostinetti shows an additional oblique line close to the second hasta of upsilon, which was disregarded by Bianchetti (eu as in VB·9, thus also Kretschmer 1905: 98, no. 8, Rhŷs 1913: 60, no. 8, and Piana Agostinetti 1972: 271, no. 2). Whatmough PID 116 f., no. 312 bis read ea (also Tibiletti Bruno 1978: 144; Solinas 1995: 378, no. 137 gives both options); Morandi 2004 identifies the line as iota (eui). The letter forms being identical to those in VB·9, we are inclined to assume that the line is merely a repeated scratch.

See also Morandi 1999b: 319, no. 10.

Corinna Salomon

Bibliography

Bianchetti 1895 Enrico Bianchetti, I sepolcreti di Ornavasso [= Atti della Società di Archeologia e Belle Arti della provincia di Torino 6], Torino: Paravia 1895.