CO·6: Difference between revisions
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==Commentary== | ==Commentary== | ||
Images in '''{{bib|Garovaglio 1878}}: tav. III.12 (drawing = {{bib|Tibiletti Bruno 1969b}}: 274, tav. II.2a | Images in '''{{bib|Garovaglio 1878}}: tav. III.12 (drawing = {{bib|Tibiletti Bruno 1969b}}: 274, tav. II.2a [as original] and b [corrected by mirroring])''', '''{{bib|Bergamaschi 1878}}: ?''' (drawing = {{bib|Barelli 1878c}}: tav. XII.'''13''' = {{bib|Tibiletti Bruno 1969b}}: 275, tav. III.2c), {{bib|Pauli 1885}}: Taf. I.18 e (drawing from Poggi), {{bib|Rhŷs 1914}}: pl. III (photo), {{bib|Tibiletti Bruno 1969b}}: 275, tav. III.2d (photo), {{bib|De Marinis 1986}}: 76 (photo), {{bib|Gambari & Colonna 1988}}: 161, fig. 24 (drawing), {{bib|Morandi 1999}}: 183 (drawing = in essence {{bib|Morandi 2004}}: 628, fig. 20.153) and 203, tav. XVI.2 (photo = {{bib|Morandi 2004}}: 799, tav. XXII.153), {{bib|Stifter 2020}}: '''?''' (photo). | ||
{{bib|Poggi 1879}}: 311, no. 46 | Inscribed across the foot of the bowl; the fracture which runs across the inscription does not impede the reading. The letters are written before firing, between two frame lines which were drawn first, and applied quickly by a practised hand with lines drawn from the top toward the bottom. Both omicrons are executed as two half-circles, and sigma as a wavy line of – as first noted by {{bib|Morandi 1999}}: 183 f., no. 32 – at least five bars (the bottom-most one coinciding with the break); a sixth bar could theoretically have existed on top, where the letter is incomplete. Originally read ]''lioiso'' ({{bib|Poggi 1879}}: 311, no. 46, {{bib|Pauli 1885}}: 9 f., no. 18 e, {{bib|Giussani 1902}}: 45, {{bib|Rhŷs 1913}}: 39, III.1.1e); the tip of a bar before lambda first detected by {{bib|Rhŷs 1914}}: 8, 10–23, who also observed that no letters can have existed before that first one due to the size of the foot; though he knew that pi for the first letter was more plausible, he emended incorrectly to ''elioiso'' based on linguistic considerations. Correct {{w||plioiso}} (though given as incomplete in the beginning) by Whatmough {{bib|PID}}: 101, no. 289. Interpreted as an optative form by {{bib|Tibiletti Bruno 1969b}}: 175–179, no. 2 (also {{bib|Tibiletti Bruno 1969}}, {{bib|Tibiletti Bruno 1978}}: 146 f., {{bib|Tibiletti Bruno 1990b}}: 107 f.); interpretation as a genitive in {{m||-oi̯so}} based on comparison with [[NO·1]] in {{bib|Gambari & Colonna 1988}}: 161, no. 4. | ||
See also | Application before firing is usually taken to indicate a potter's signature (e.g. {{bib|Lejeune 1990}}: 70, no. 15), confirmed by two more attestations before firing on ceramics from Rondineto ([[CO·15]], [[CO·16]]); also one post-firing ([[CO·72]]), but from the same time and area. Cue the {{w||plioiso}}-discussion. | ||
See also {{bib|Oberziner 1883}}: 145, {{bib|Campanile 1969}}. | |||
{{bibliography}} | {{bibliography}} |
Latest revision as of 20:53, 29 November 2024
Inscription | |
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Reading in transliteration: | p̣lioiso |
Reading in original script: | |
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Object: | CO·6 Rondineto (bowl) |
Position: | foot, outside |
Frame: | ? (left: none, middle: top and bottom, right: unknown) |
Direction of writing: | sinistroverse |
Script: | North Italic script (Lepontic alphabet) |
Letter height: | 2.5 cm0.984 in <br /> |
Number of letters: | 7 |
Number of words: | 1 |
Number of lines: | 1 |
Workmanship: | scratched into leather-hard clay |
Condition: | complete, damaged |
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Archaeological culture: | Golasecca III A [from object] |
Date of inscription: | 5th–early 4th c. BC [from object] |
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Type: | prob. mark of manufacturer |
Language: | Celtic |
Meaning: | 'of Plios' |
| |
Alternative sigla: | Whatmough 1933 (PID): 289 Solinas 1995: 80 Motta 2000: 14 Morandi 2004: 153 |
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Sources: | Morandi 2004: 625 |
Images
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Commentary
Images in Garovaglio 1878: tav. III.12 (drawing = Tibiletti Bruno 1969b: 274, tav. II.2a [as original] and b [corrected by mirroring]), Bergamaschi 1878: ? (drawing = Barelli 1878c: tav. XII.13 = Tibiletti Bruno 1969b: 275, tav. III.2c), Pauli 1885: Taf. I.18 e (drawing from Poggi), Rhŷs 1914: pl. III (photo), Tibiletti Bruno 1969b: 275, tav. III.2d (photo), De Marinis 1986: 76 (photo), Gambari & Colonna 1988: 161, fig. 24 (drawing), Morandi 1999: 183 (drawing = in essence Morandi 2004: 628, fig. 20.153) and 203, tav. XVI.2 (photo = Morandi 2004: 799, tav. XXII.153), Stifter 2020: ? (photo).
Inscribed across the foot of the bowl; the fracture which runs across the inscription does not impede the reading. The letters are written before firing, between two frame lines which were drawn first, and applied quickly by a practised hand with lines drawn from the top toward the bottom. Both omicrons are executed as two half-circles, and sigma as a wavy line of – as first noted by Morandi 1999: 183 f., no. 32 – at least five bars (the bottom-most one coinciding with the break); a sixth bar could theoretically have existed on top, where the letter is incomplete. Originally read ]lioiso (Poggi 1879: 311, no. 46, Pauli 1885: 9 f., no. 18 e, Giussani 1902: 45, Rhŷs 1913: 39, III.1.1e); the tip of a bar before lambda first detected by Rhŷs 1914: 8, 10–23, who also observed that no letters can have existed before that first one due to the size of the foot; though he knew that pi for the first letter was more plausible, he emended incorrectly to elioiso based on linguistic considerations. Correct plioiso (though given as incomplete in the beginning) by Whatmough PID: 101, no. 289. Interpreted as an optative form by Tibiletti Bruno 1969b: 175–179, no. 2 (also Tibiletti Bruno 1969, Tibiletti Bruno 1978: 146 f., Tibiletti Bruno 1990b: 107 f.); interpretation as a genitive in -oi̯so based on comparison with NO·1 in Gambari & Colonna 1988: 161, no. 4.
Application before firing is usually taken to indicate a potter's signature (e.g. Lejeune 1990: 70, no. 15), confirmed by two more attestations before firing on ceramics from Rondineto (CO·15, CO·16); also one post-firing (CO·72), but from the same time and area. Cue the plioiso-discussion.
See also Oberziner 1883: 145, Campanile 1969.
Bibliography
Barelli 1878c | Vincenzo Barelli, "IV. Rondineto", Notizie degli Scavi di Antichità (1878), 201–224. |
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Bergamaschi 1878 | Gianni (?) Bergamaschi, "Tavole XI, XII, XIII", Rivista Archeologica della Provincia di Como 13 (1878). |
Campanile 1969 | Enrico Campanile, "Su una Presunta Forma Ottativale Epicorica a Comum", Studi e Saggi Linguistici 9 (1969), 211-215. |
De Marinis 1986 | Raffaele De Marinis, "Lingua e alfabeto", in: Various authors, Como fra Etruschi e Celti, Como: Società Archeologica Comense 1986. (Catalogo della mostra), 73–76. |
Gambari & Colonna 1988 | Filippo Maria Gambari, Giovanni Colonna, "Il bicchiere con iscrizione arcaica da Castelletto Ticino e l'adozione della scrittura nell'Italia nord-occidentale", Studi Etruschi 54 (1986 [1988]), 119–164. |
Garovaglio 1878 | Alfonso Garovaglio, "Qualificazioni delle figure contenute nelle tavole III e IV", Rivista Archeologica della Provincia di Como 13 (1878), 36-37. |