BI·4

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Inscription
Reading in transliteration:	esonius : urenti / akitu : esonius / ueriounos
Reading in original script:
Object:	BI·4 Cerrione (stela)
Position:	front
Orientation:	270°
Direction of writing:	dextroverse
Script:	North Italic script (Lepontic alphabet)
adapted to:	Latin script
Letter height:	5–12.5 cm1.969 in <br />4.921 in <br />
Number of letters:	34
Number of words:	5
Number of lines:	3
Workmanship:	carved
Condition:	complete
Archaeological culture:	Roman republican period [from object]
Date of inscription:	100–40 BC [from object]
Type:	funerary
Language:	Celtic
Meaning:	'Esonius (son) of Urent(i)os; Akitu (son) of Esonius; of Ueriu' (?)
Alternative sigla:	none
Sources:	Cresci Marrone & Solinas 2013: 45–48 no. 7

Images

Stela BI·4 Cerrione with inscription BI·4 from Cresci Marrone & Solinas 2013

Stela BI·4 Cerrione with inscription BI·4 from Cresci Marrone & Solinas 2013

Commentary

First published in Cresci Marrone & Solinas 2011: 92 f.

Images in Cresci Marrone & Solinas 2011: 94, fig. 89 (drawing = Cresci Marrone & Solinas 2013: 46) and fig. 90 (photo = Cresci Marrone & Solinas 2013: 46 [in colour]).

Inscribed in three dextroverse lines running downward; well legible. The size of the letters decreases noticeably from the rightmost (10–12.5 cm) to the leftmost line (5–7 cm), indicating that the line on the right was written first, the one on the left added last. Solinas (p. 46) notes an additional punct in line 2 in the upper area between iota and upsilon, of uncertain function (and relevance). The alphabet used is the Lepontic one, but with Latin-influenced letter forms ( in line 1 and ) and also orthography in the spelling of [n] before [t] in urenti (cf. Solinas p. 46); four-stroke sigma – a decidedly Lepontic variant – is executed as two curved lines.

The inscription records two or possibly three person's names. Line 1 esonius urenti 'Esonius (son) of Urent(i)os' is an onomastic formula with a genitival patronym, while in line 2 akitu esonius – in all likelihood naming the son of Esonius in line 1 – the patronym is adjectival as in the other linguistically Celtic inscriptions from the Cerrione necropolis. The on-stem akitu retains its Celtic ending -ū (rather than Latinised -ō), but esonius both as an individual name and as a patronym features the Latinised ending -us (rather than Celtic -os); the genitive ending -ī in urenti and its use in patronymic formulae, as well as appositive -ii̯- in the patronym esonius are shared by Gaulish and Latin and thus (intentionally?) linguistically ambiguous.

The fifth name, ueriounos in line 3, is more difficult to interpret. It could be a third person's name in the nominative (Solinas p. 48 option 1) – unlike esonius not Latinised; the formation uerioun- (< *u̯eri-omn-?) does not find comparanda in Transalpine Gaul, but does in the Latin inscriptions of Cerrione, where a family name ueriounia appears in no. 47 in Cresci Marrone & Solinas 2013 (first half of 2^nd c. AD); Cresci Marrone & Solinas 2013: 47 f., 156 f. further cite ueriounus and ueriouna in Latin inscriptions from the area of Torino. The absence of a patronym would be irregular – maybe ueriounos, squeezed in beside line 2, names another son of Esonius and is thus meant to share the patronym of akitu? Alternatively, ueriounos has been interpreted as a grammatically Celtic genitive in -onos of a personal name ueriu (cf. Stifter 2020b: 343 f., Solinas p. 48 option 2). An on-stem ueriu is attested indirectly in the Latin inscription no. 9 at Cerrione (late 1^st c. BC): uerionis f.; Cresci Marrone & Solinas 2013: 54, n. 11 cite further examples of uerionis in Latin inscriptions from the Celtic area. The spelling ⟨ou⟩ of the first /o/ of the ending (and its appearance in the abovementioned attestations of uerioun-) requires explanation, as does the function of the form in the inscription – a second appositive to akitu? Solinas (p. 48) also considers a more complex structure for the text, in which esonius urenti is the name of the deceased, esonius ueriounos that of the curator of the burial (who happens to bear the same individual name), and akitu a verb (cf. karnitu). While this is formally possible – 'Esonius (son) of Urent(i)os. Esonius (son) of Ueriu X-ed.' – a verbal base ak- it not otherwise attested in Celtic epigraphy. It is still apposite to enquire into the function of the inscription's parts – unless a curator is named, the two or even three names must all refer to buried persons. Did they share a grave because they died at the same time? (But then why are the lines in which they are named not more evenly spaced?) Was the grave reused? Was only the stela reused and relations buried in its vicinity?

Corinna Salomon

Bibliography

Brecciaroli Taborelli 2011	Luisa Brecciaroli Taborelli (ed.), Oro, pane e scrittura. Memorie di una comunità "inter Vercellas et Eporediam" [= Studi e ricerche sulla Gallia Cisalpina 24], Roma: Edizioni Quasar 2011.
Cresci Marrone & Solinas 2011	Giovannella Cresci Marrone, Patrizia Solinas, "Il messaggio epigrafico: Riconoscimento del sepolcro e strategia della memoria", in: Luisa Brecciaroli Taborelli (ed.), Oro, pane e scrittura. Memorie di una comunità "inter Vercellas et Eporediam" [= Studi e ricerche sulla Gallia Cisalpina 24], Roma: Edizioni Quasar 2011, 89–106.
Cresci Marrone & Solinas 2013	Giovannella Cresci Marrone, Patrizia Solinas, Microstorie di romanizzazione. Le iscrizioni del sepolcreto rurale di Cerrione, Venezia: Edizioni Ca' Foscari 2013.